General Notes on QUARTETS (Side A)
Quartets is out tomorrow. While the press release tells one easily-digestible narrative about the album in the ballpark of about 700 words, my own story about the songs on the album can be more discursive and less tailored for the eyes of jazz writers. Logistical Notes Although this is technically my seventh album (following, in reverse chronological order: The Fate of the Tenor , The Depths of Memory , <3 Bird , (Un)seaworthy , The Sustain of Memory , and Trio ), it's the tenth "disc" or set of music since it's my third double album, the other two being Depths and Sustain . I don't think I was intentionally waiting to release music specifically for the quartet format, but in my mind, this is the flagship format for jazz saxophonists—thinking of the Coltrane classic quartet, Joe Henderson and Wayne Shorter's '60s Blue Note classics, and so on. As a matter of practical consideration, I put this music out as a double album simply because I have a lo